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According to co-curator Martin Kemp: Graphic hardly does justice to the romp through 2, years of art history's frankest moments. But the organisers argue that context is all: This is a serious, art-historical exhibition, which is why even potentially controversial material - such as certain photographs by Goldin showing nude children as part of her sometimes explicit work Heartbeat - is, according to the curators, acceptable.

Its scope is vast, covering everything from ancient Greek and Roman vases and sculpture - including the stunning life-size marble Sleeping Hermaphrodite from the Galleria Borghese in Rome - to Old Masters, drawings by Turner and Rodin, and photographs of Jean-Jacques Lebel's happening, Minutes Dedicated to the Divine Marquis, in which the artist used obscenity to expose the political obscenity he observed in the French regime at the time.

Memorably, this features a girl with a leek. Except that "she" turns out to be a transsexual. The exhibition begins with the "secret cabinets" of the British Museum and the Naples Museum - reserved areas where material deemed too saucy for general consumption was placed to protect delicate nerves and impressionable minds from the late 18th century.

Here is an amber, life-size carving of male genitalia, and a tintinnabulum, a Roman bronze windchime featuring a winged phallus. That links it to fate or fortune, which also moves up and down of its own volition. The inclusion of partial re-creations of these reserved areas in museums relates to the programme of the exhibition, which is not to tell us how people had sex, but the way people have represented sex, and, often, attempted to control those representations.

If there is a message, said Ms Bernstein, it is that "sex is a universal part of our being. It doesn't matter when or where or with whom sex is had: Nearby hangs one of the few works in the exhibition by a woman: Serious academic museums such as the Fitzwilliam, the Wellcome Foundation, and the Victoria and Albert Museum have loaned rarely seen Indian erotic miniatures, 19th-century Iranian manuscripts illustrating various sexual positions, and Japanese prints.

As do the Indian women, though not the men; the expectation on Indian men seems rather less, I am encouraged to see," said Prof Kemp. Back to Europe, and there are tiny, illustrated pornographic books - "small enough to fit into one hand, leaving one hand free", pointed out Ms Bernstein. This is what we want it to be about, rather than nudge-nudge, wink-wink.

Art and Sex from Antiquity to Now is open to overs from Friday. Jean-Jacques Lebel, rather than Level, organised the happening Minutes Dedicated to the Divine Marquis, described in the article above.

France was not then at war with Algeria, as we said. The war ended in These errors have been corrected. The City of London police have been in, and, says Graham Sheffield, artistic director of the Barbican, "they are completely cool.

Good luck charms The exhibition begins with the "secret cabinets" of the British Museum and the Naples Museum - reserved areas where material deemed too saucy for general consumption was placed to protect delicate nerves and impressionable minds from the late 18th century.

Japanese contortionists "The Japanese get into positions contortionists would be pressed to achieve.

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