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The eleven-track collection of both new and familiar country, jazz, jump blues, rockabilly, Western swing and folk, offers a blend of originals, vibrant covers, superior musicianship, and a guest vocal appearance by Seth and Scott Avett of The Avett Brothers. Bennett, who just turned 92, has been friends with Krall for over 20 years. It is a masterclass in vocal delivery and phrasing and the command that Bennett and Krall display of the material in both their duets and solo tracks makes it appear effortless, belying the honed skill of the vocalists.

The structures are traditional, but the lyrics don't adhere to any format other than what feels right in the moment. For this expanded release, the band has compiled over two LPs worth of material: Heaven carves out its own atheistic religion to get through the day, a faith that validates our pain as real but responds with a beaming light of hope.

He co-wrote and performed it with Italian band Don Antonio from Mogdilana led by guitarist and composer Antonio Gramentieri who has a rich musical history of his own in Italy with his cult band Sacri Cuori. Like trailblazing metalcore giants Underoath and As I Lay Dying before them, they skillfully mine the varying extremes of heavy music. They stand in defiance of the mounting pressure of modern life, not through dismissiveness or easy answers, but with earnest struggle.

Strings, horns, even castanets sneak their way onto the album — this isn't glossy throwaway pop. From the start of Shabazz Palaces — the groundbreaking project launched in by former-Digable Planets leader Ishmael Butler — confidentiality seemed essential: Butler wanted Shabazz Palaces to stand on its own strength, not his outsized reputation, so he adopted a nom de plume for himself.

Knife Knights is the name he gave to his work with Seattle engineer, producer, songwriter, and film composer Erik Blood, a vital force in the Shabazz Palaces universe. Now, after more than a decade of collaboration and the development of a rich friendship, Butler and Blood have made a proper full-length record together. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites.

Instead, in faithfully defiant fashion, Low release their most brazen, abrasive and, paradoxically, most empowering album ever: Double Negative , an unflinching song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low's career.

The LP, which was recorded, mixed, and mastered at Subsonic Audio by guitarist Chris Basile, shows the band revisiting their filthy, pulverizing, classic sound. Unholy Requiem , with all of its pummeling groove and signature riff laden violence is nothing less than pure sonic vitriol. The Malibus added the year-old guitarist and morphed into Malo by In , the first Jorge Santana solo album emerged as a self-titled affair with most of the songs co-written with Malo-alum, Richard Bean who also handled lead vocal duties.

Now for the first time, the two Jorge Santana albums are combined on a single disc, remastered, with liners notes by Bill Kopp featuring new interviews with both Jorge Santana and Richard Bean about these post-Malo solo efforts. But his story was just beginning, as he has plotted a return. Now he is back in the spotlight as a bandleader and a true solo artist in every sense.

The new song definitely reminded people that Shim is an artist to watch with a lot more to say, armed with a D. On their fourth full-length album The Pact , Slothrust constructs a luscious, ethereal cosmos perforated with wormy portals and magic wardrobes, demonstrating more clearly than ever the band's deft shaping of contrasting sonic elements to forge a muscular sound that's uniquely their own.

Bizarre and mundane, tender and confident. The awkward duality of the forever outsider, rightly reclaimed as power. Produced and engineered by Billy Bush in Los Angeles, The Pact is a confident journey across 12 songs that oscillate between a quietly reflective tenderness and a slick, sleek confidence; balancing playful innocence with ballsy swagger.

Bush brought a rugged-lush sensibility to the proceedings, assuredly guiding the band into new territory. There are surprises around every bend. I think this reflects in the immediacy of the stories, and the passion in the songs. Sometimes I am speaking directly about events, at other times songs are an imaginative spin on what life throws at you.

The music is just a mirror to life, but we try to polish that mirror as brightly as possible. It is an album as much about growth as it is about reflection. I often look at a finished song and wonder what the hell is going on inside me. We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission at the back.

It really speaks to a lot of things that have happened in the past year and I hope when you hear it, you can relate those feelings to those times in your life. I think you can hear that in this new album. I hope everyone loves it as much as I have loved making it. The 11 tracks deal with universal themes including the tension of family, loss, and learning to move on without resentment "Amends," "Lighthouse" , breakups "Unwind With Me" , anxieties "Downstairs" , and hope for the future "Silver Screen".

Angel expert Dave Reynolds has supplied a new set of sleeve notes giving a great insight into the history of the band in a booklet loaded with rare photos and memorabilia. With grim reliability, Archgoat discharge yet more pustulant diabolic foulness into a world increasing molded in their image. The Luciferian Crown is a frighteningly-focused vision of hellish corruption, unsentimental, morally abhorrent and steeped in a violent horror all too real.

Contemporaneous with the uncanny classics of Finnish death and black metal — Archgoat share the same penchant for mind-altering atmospherics, blurring the mystical song-craft of first wave black metal with guttural punk, primitive thrash, the sonorous barbarism of vintage death metal and grindcore that reeks of putrefaction. In a time where the downtrodden need a voice again, the Heathens have delivered the message paying homage to one of the most important voices in American song history.

Their first four albums have been remastered and are back in-print on CD and on limited colored vinyl. The band recorded the new album in Los Angeles, after writing and testing out new material on the road.

Inspired by their time playing raves and rock clubs all over the globe since the release of Days Gone By , Battle Lines takes a harder look at the world in which they find themselves. It's serious stuff, the thoughts of a dysfunctional something wrestling with maturity and discovering that their post-punk DIY beliefs still have a real voice that resonates between the fans of their early years and which can now pass down to the next generation.

A regular fixture in the Kamasi Washington band, wylin' out on the keys or wielding his keytar, he is introduced onstage at gigs as "Professor Boogie" by his longtime friend and collaborator.

Their beauty is deceptive; the vast, sweeping songs weave sophistication and grandeur with dire warnings about a world spinning out of control. Gave In Rest is a modern reading of early music, reforming sacred and secular sentiments to fit her purview and provide an exciting new way to hear the sounds that exist around us.

And Master Volume is a defining sermon, distilling decades of guitar-charged power and wisdom into 10 succinct commandments. The CD set also includes a second disc of 14 completely unreleased tracks: The duo's debut album No One Defeats Us is introduced by the explosive war cry of the title track and follow-up "Silence" which reveals a darker side and pulse to the project.

Her songs show mature songwriting, and express her victories over forces beyond her control and those within herself. Five friends who all live together in Brooklyn, Future Generations brought Landscape to life by balancing their pop-minded songcraft with bursts of free-form experimentation: Valley Of Rain was Tucson's Giant Sand's debut album recorded in , and eventually released by It included Howe Gelb on vocals, guitar and Winston Watson on drums for most of it, Tommy Larkins on drums for some of it and Scott Garber on fretless bass for all of it.

It somehow seemed appropriate to give them another shot with the proper amp just to see what they could've been. Powered by punk spirit, rock songcraft, and cinematic ambition, Good Charlotte retain the signature vitality and vulnerability of their formative years, while delivering an urgent, unafraid, and undeniable message befitting of two decades in the game.

The five-piece has survived trends, many ups and downs and continues to deliver solid material. The Living Dead serves as the old schoolers' 20th studio long-player. Whether it be the sound of a rocket ship, a kitten-with-a-wah, distorted dolphins, or a clavichord made out of honey-baked ham, the band consistently finds new ways to bring together the many ideas that combine to shape each new batch of art-rock puzzle pieces.

This collection of pop songs pulls influence from powerful groups like The Slits, ESG, Gina X, and early Madonna, with sing-speak vocals from Kassie Carlson nodding to legendary artists like Laurie Anderson, Grace Jones, and Lizzy Mercier Descloux — combining this all into a twisted, crystalline concoction. Timothy Leary's musical director, organizing music for the LSD advocate's "celebrations. Not a reissue, but rather a brand new, never before released time capsule from the surf era.

Crusin' For Surf Bunnies is the perfect soundtrack for sun-baked skin and salty waves, hot rods and summer love. Kelly first gained recognition after posting videos on YouTube at the age of When she was 16, she auditioned for the singing competition television series American Idol. After being eliminated from the show, Kelly began to work on her own music.

Hiding Place is her sophomore album. Go To School tells the heartbreaking coming of age story of Shane, a pure of heart chimpanzee raised as a human boy as he comes to terms with the obstacles of life. She cites certain compositions as being "specifically inspired by August monsoons rolling in over the mountains, others by clear, starry nights. Produced by Dan Weller SiKth, Young Guns, Enter Shikari , it's the sound of a band letting loose and having fun, personified in the title track opener which features a passionate speech about the virtues of rock by Mr.

Pieces Of The Mr. An album of standards and classics made famous by Frank Sinatra, My Way finds Willie who's written a few standards himself swinging his way through some of the most beloved songs in the Great American Songbook. First new album in five years from the British electronic outfit. Monsters Exist is a more classically structured Orbital album than their previous release Wonky , drawing inspiration from the international political landscape all the way back from brothers Paul and Phil's pre-rave squat-punk roots right up to the volatile tensions and erratic rhetoric of today.

Vinyl edition due September Is it world music? Is it underground pop? You can choose whichever you want, it's not important for Orions Belte to be pigeonholed. Revered for their live shows, On Tap sees the five songwriters pull back the curtain on their passion for arrangement and orchestration, introducing a sea of horns, harmonies, gritty grooves, and psychedelic guitar textures.

Jason Williamson on the new material: People are powerless under the political monster and the intense anger and frustration morphs into illusions of attacking each other through the bravado of social media, depression and paranoia. Unlike the spiraling momentum of Pleasure Suck , Spirit Of The Beehive took a more grounded approach with Hypnic Jerks , though the ground they're standing on is equally otherworldly.

Dreamy is a fitting adjective, but the songs never fully slip into the peaceful yet backgrounded character of dream-pop. It burns through a first act of speedy, hook-heavy guitar rock before taking a sharp, brutal dive into an abyss on the album's second half. The result is their most expansive work to date, encompassing everything from viscerally charged post-hardcore to piano-driven balladry. It's a given that the band's studio work was noisy and abstract, but more was left to chance during gigs like this, with primitive synthesizers and other electronics pitted against a group trying to keep some semblance of control.

With two Gold albums, 17 Top singles on Canadian rock radio and over 25 music industry awards and nominations The Trews have earned their place as one of Canada's most iconic rock bands. Sister acts, studio receptionists, classmates, angelic voices of the s; some legendary, many hidden in the basement of expired rainbows. Gathered on this deluxe double-LP or CD are 28 56 on the compact disc foiled escape attempts, now free to soar in girl group heaven.

During this highly successful period, Clement 'Sir Coxsone' Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, the Wailers, Slim Smith, Jackie Opel and many more. It's characterized by grandiose-yet-delicate, lush orchestration: A dreamy, peaceful, pastoral set of songs to get lost in, it's both an album that his faithful audience has been wanting him to make for a long time, and an album that many new people outside of that audience will relate to.

Live At The Isle Of Wight Festival features new interviews with Joni, discussing her recollections of the event intercut with festival footage, both onstage and behind the scenes, offering a fascinating insight into a now legendary concert from the artists point of view and putting the events of the day into context.

on the decks and in your ears

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