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The latest printed issue. Quality Time Cream Cuts. Vintage Soul Top Album of the Month. Reynolds and Bryan Austin. I wanted to do more, but I thought I should just let that be and go on to something else.

I had all these great writers available to me, and I wanted to take a chance and start another journey. This new album is just a completely different story. When we get on stage, we can add horns and strings and whatever we need to add to bring it full circle.

My daughter Candy Burke and Jane Vickers are there as my associate producers. Shawn went after him, and we were lucky enough to get him to come and do this album. The opener, Like a Fire , features also cellos on the track. Written by Eric Clapton , the song is a mid-tempo, intimate opus that draws a lot from Southern folk-rock tradition. Thank You is a slowish, country-tinged swayer, and here Solomon even does a short Louis Armstrong impression.

The music must never die. We were blessed to get all these guys together for a two-week period and complete this album in eight days here in Los Angeles. The Fall is a poignant country-infused ballad and a convincing vocal performance from Solomon.

Rudy Copeland plays organ and Larry Goldings piano on the track. Steve Jordan and his wife wrote the song, but the message in the song is so important. Understanding is a pleading, down-to-earth ballad. This album is a prophecy and a reality check for a lot of us. I just wanted to try to remember it. What you have is just an open piano and a bass drum. Solomon is also working on his next gospel CD, his first in nine years. One thing I never forget to ask Mr.

Burke is the state of his autobiography. So this year we should be finished with it. For the full Solomon Burke discography please visit www. Just prior to the release of Like a Fire , Shout!

Records out of the U. In mids Solomon had a group called The Gospel Cavaliers, and one Sunday they were asked to perform on a program in Philadelphia. His mother had bought a television that night, and buying a television was a big thing. Everybody was going to go to this house to watch tv. As a matter of fact, the whole block was at his house to watch tv. It was the only tv in the block. The single was released in early Solomon wrote or co-wrote many of those songs. I just created songs on the spot.

There was also a more rocking side to Solomon already at that point. But the words came out and the rhythm came out and the band played it and we did it. The song was credited to Louis and Horton.

The song was not written by Joe Louis. We were sued by Mr. His wife was his attorney and manager, and we had to relinquish the copyright to him.

The deal was that he would travel with me for one year and promote the record, and we would pay him to do that. After these Apollo sides Solomon released two singles on Singular in , but he returned to Apollo for one more single in , under the guise of Little Vincent. My mother was Josephine.

I figured that if I can make a song by the name of Little Vincent, maybe I could just thank him. My father was very special to me. He was a very spiritual man. He was a black rabbi, who would go to upper Pennsylvania and purchase chicken, turkeys and ducks.

There was also another single by Little Vincent Honk, Honk, Honk , but that was an instrumental without any input from Solomon. Lay It Down www. The set was produced by Al Green www. Anthony Hamilton is featured on the soft and smooth title slowie, although Al himself brings some edge to it with his inspired vocal performance.

So far the music has been burning on quiet fire and only on the two concluding songs the tempo picks up a bit. On first hearings the CD may sound rather monotonous, but time will bring forth distinctions in melodies and make you appreciate this project even more.

If you wish to read about his early career, first single in and his consequent recordings and his comments on Honey Poo , you can do it here: Rue Davis interview from Rue has to sing to a poor, stripped-down machine backing, and especially the horn section imitations are terrible. Rue and Carl wrote all thirteen tunes, except three very familiar songs.

Vocally A Change Is Gonna Come is worthwhile, but this song if any just cries for a decent orchestration. It has even become a hit for Rue. There are better albums among his six preceding ones www. His earlier achievements are documented at: Shot From the Soul www. There are still two down-tempo tracks on the set, and one of them, Dirt Road to Your Heart , was a big, positive surprise for me.

Lee definitely needs more of these. Senator Jones remixed and mastered, and this I believe. We used to have that in the 60s sometimes. On a couple of tracks it sounds as if it was a bootleg, illegally recorded in some juke joint. Could some of these tracks be outtakes from the sessions a few years ago? The title track is a pleading soul ballad and Living Double is another impressive slowie. There must be something wrong with its history. Travis at that time also played with Gerald Levert and Will Downing.

It took us that time to really finish it, because there were times we were gone for like six months. Cooke on the back cover of the CD. On You Send Me we approach the song from a new and exciting angle. He and I have been friends ever since. Sentimental Reasons also has a jazzy arrangement. I had a chance to listen to all the arrangements, before we put them down. Once we talked about where we were going with the arrangements, Travis just put it right there.

Only Sixteen is just a couple of sharp beats away from sounding funky. The track features a live horn section as well as the light Wonderful World.

The joyous Cupid has a Caribbean feel to it. Lou Rawls , who sang with Sam on the original recording, is here replaced by another gentleman. He was the first person I started singing with as a child. He taught me about singing harmonies and group harmony.

When we had the opportunity to record again, I got him to do this with me. We started out at Sugarhill studios, but unfortunately Sugarhill burned down, and we moved over. The only new song, Men Cry Too , is a beautiful and melodic ballad, just like vintage Manhattans.

Written by Al Johnson, Walter I. Most of the time in relationships when women get hurt, they cry. We really appreciate them and we love them. The light and lilting Gypsy Woman Curtis Mayfield shows that the year-old Freddie has occasionally problems with high notes, Frankie and Johnny Sam Cooke is an energetic duet with Gilda Carlos and the longest 7: I think this CD will be more popular among blues folks than soul fans.

Actually Freddie himself tells that he was converted to the blues only in the early 90s. At that point I also talked to Leon, and you can read his comments about that CD and his earlier career here. Majority of the program is slow songs.

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