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Real creativeness, in my experience, is inextricably linked with the awareness of mortality. The sharper this awareness, the greater the urge to bring forth something new, to participate in the infinitely continuing creativeness in nature, This is what makes out of sex, love; out of the herd, society; out of wheat and fruit, bread and wine; and out of sound, music.
This is what makes life livable and incidentally makes therapy possible. Gestalt therapy, with its emphasis on immediate awareness and involvement, offers a method for developing the necessary support for a self-continuing creative adjustment which is the only way of coping with the experience of dying and, therefore, of living. The quotes from Laura Perls included in this issue were compiled by Anne Leibig as a contribution to this issue from the following sources: My mother was a good pianist It was something I grew up with.
I know the whole classical literature, all the symphonies, which I had played four hands with my mother, long before I heard an orchestra I went to a classical gymnasium. There were no girls gymnasiums. The first year I was the only girl.
Later on another girl came in, with whom I have remained friends Easter Weekend, Gestalt Institute of Cleveland As the time began there were 16 of us, sitting in chairs in a circle. Laura was sitting directly across from me in the center seat of a comfortable couch with her shoeless feet extended on top of two big pillows. A small woman of 81, her short hair brushed away from her face.
She opened the gathering with the comment that she saw some people were attentive, curious and others looking off in to the distance.
She spoke to one man about his one foot on the ground, the other across his leg. Then she looked directly at me and said I did not have enough support for my spine.
We had "fronts" but to see a person's support we needed to be aware of the spine. I sat up straight and felt glad to be recognized and called to give more support to myself. A good beginning for me! After several people had worked I said that I wanted to work. She asked me to come closer because with the light it was difficult for her to see me.
I went forward and sat at her feet. I told her that I had come to the workshop to meet her. She asked me to exaggerate the way I was speaking which was with a smile, but with closed teeth. She smiled and said she did not know if she would be a tasty morsel. I remember this beginning but the next -thirty minutes blurs for me. A few morsels I did digest.
She commented that I moved too quickly from the "I-Thou" to the "We. Then I went back to focus on Laura and wanted to touch her wiggling toes. I noticed that her fingers and toes were constantly wiggling, energy at her tips. I touched both the pregnant belly and the wiggling toes, and felt embarrassment, excitement. I became aware that in contact I want to eat and touch. Toronto, Canada, September I am a third year student of Gestalt therapy at the Gestalt Institute of Toronto.
We have monthly weekend training -- this weekend is special as Laura Perls is coming to work with us. By the time Laura arrived we were full of stories, anecdotes and perceptions about her. Twenty four students gathered around her on Saturday morning and suddenly I felt rather overwhelmed by this small person who radiated tremendous energy particularly through her eyes.
Her eyes were alive, aware, searching, curious, smiling, communicating. To everyone she encountered she expressed a deep curiosity, almost looking into our souls and this curiosity continued through her work, during lunch time and throughout the evening meal.
I am sitting behind a large couch, my head and upper arms resting on the back of the couch. I am watching Laura work.
As she finishes her session, her big curious eyes focus on me. I notice her look and I freeze. I found myself responding quietly and feeling this strong pull towards her. It was like a string that was attached to Laura's eyes was pulling me towards her.
Without any hesitation I began telling her about being born the first month the World War II started and my family fleeing from Eastern Europe, and the bombs, and my mother's fears and my father's death. I was two years old then. Laura listened carefully with her eyes.
She smiled quietly and said, "Please, now show me how you were growing up, but tell me your story with your body, your movements. I found myself slowly slouching on the floor and going into a foetal position, then slowly going on my hands and feet all fours and then standing up. Laura looked at me carefully, following every move I made then when I stood up on my two feet she said:. That small piece of work with Laura was extremely significant for me.
My existence was like fighting a war a war with myself with little satisfaction and a lot of fear. Now I move more with life's flow and ebb.
I found my path and my direction. I move with grace, slow when need be, crawl when necessary and run when I want to. I have a purpose, a direction, and a peaceful, successful life.
I was very good in languages, in Greek and Latin and French. English is the only language I never studied. I read all the modern literature I did modern dance since I was eight. I started with Deikraus, When I was thirteen, fourteen I started with the Lowelin system, which was connected with Rudolph Steiner I found out later that what they actually did to a great extent were Yoga and Zen techniques.
I have kept this interest all my life. Actually in South Africa, there was one of the Lowelin people, and we worked in my garden twice a week.
My fondest memories of Laura came after my first three day workshop with her in , sponsored by the Los Angeles Institute. I was 25 years old and a doctoral student living in San Diego. She needed a ride form L. We arranged to meet the next morning at her hotel. When I met her in the coffee shop, she began giggling and said, "See that young man over there?
He's been flirting with me! During our drive, Laura was very warm and friendly, and showed genuine interest in my studies and my life. She encouraged me to be a Gestalt therapist, telling me she liked the insights I contributed during the group. I distinctly remember realizing I was privileged to be in the exclusive company of a brilliant master psychotherapist, the co-founder of Gestalt therapy, and that this opportunity would probably never occur again I was right.
After a while, she voluntarily began sharing very intimate details about the nature of her relationship with Fritz. I was struck by how open and self-disclosing she was willing to be with me, a young kid who she knew only by way of a three day workshop experience.
I remember her sensuality and her bubbly, unabashed way of showing her excitement. We talked about meditation, her early life, and gossiped about various personalities in the Gestalt community, each from our own perspective. Many of them had trained with her, whereas for me, I was being trained by them. I loved every second of it and didn't want to leave her when we finally arrived at the conference. I remember walking her to the front desk of the Hilton hotel, carrying her bags.
As she had no reservation, the desk clerk asked for some identification. Laura claimed she had none, which seemed a bit odd to me, given that she was on an extended trip across the country. But I felt like saying to the clerk, "Man, don't you know who this is? This is Laura Perls give her a room immediately! She invited me for lunch, which I gladly accepted.
When it was time to say goodbye, I kissed her on the lips, which embarrassed her. Half way to my car I realized I had left my pipe tobacco pouch on the table. It was, of course, an unconscious way of not wanting to break the contact. So, when I came back in to pick it up I kissed her goodbye again.
I miss you, Laura. The Entrance Fritz' enlarged photo larger than life grained, puffed eyes. The Kitchen small, lived in the pot of hot water, the tins of herbal teas, crackers, cheeses, grapes, and bananas all there for our ingestion. The Living room in which we worked The baby grand in the corner the Schirmer Library music books upon it, rust carpet and rust velvet couch and the "lady's" space in the far corner, so she may stretch out her small, lady" legs.
The extra pillow for her back. And P's "chair" bigger and grander facing the sectional.
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For a few years, The Gestalt Journal published Contact: A Newsletter and Networking Tool for the Gestalt Community. An idea before its time, most of the materials published in Contact are dated. However, this tribute to Laura Perls, published shortly after her death in , is as timely now as it was then. Diana E. H. Russell and Rebecca M. Bolen. Thousand Oaks, CA: Sage Publications, Abstract: This long-awaited follow-up to Diana Russell's landmark book Sexual Exploitation examines the many— and often conflicting — findings of studies that have since been conducted on the incidence and prevalence of rape and child sexual abuse in the United States. Mean And Funny Things To Say To Your Ex ★[ MEAN AND FUNNY THINGS TO SAY TO YOUR EX ]★ Suge Knight Girlfriend Missing ★ Mean And Funny Things To Say To Your Ex ★★ Get you.