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He's not flashy but he sure keeps good time! I really like the tension he builds in a song's bridge. Please excuse the sound quality of some of these rare 78s. Feature 78s and , circa Hank Williams and Lefty Frizzell were kingpin in '51, but this could have left them crying in the dust!

I am telling you: Rare 78s of one of the most powerful Cajun French artists to record in and ! One of the best of the originals to record in the early days. Ann Savoy's book, Cajun Music: One listen to the Vieille Valse de la Louisiane, especially the bridge or "turn," will show what a powerful player he was.

And his Perrodin Two Step? Angelas LeJeune was one of the most influential of the early Cajun accordion players. His repertoire passed down to his younger cousin Iry LeJeune, who made big hits with his reworkings of tunes by Angelas and Amede Ardoin in the late s, early s. It looks like in the 20s and 30s, the "standards" were still "under construction," with lots of songs having multiple titles and alternate lyrics. That's an all-star song list, Jack! They are just too important to not share here!

DOM cd from France. Sound recording by Gerard Dole. Music and lyrics by Moise Robin. Back to the early days! One of their masterpieces was a song called Easy Rider.

A standard, J'Veux m'Marier mais les poules pends pas. Dole tracked him down to his home in Arnaudville, Louisiana, and captured these songs with commentary. He tells that the songs are two steps, waltzes, and slow drags. Slow drag -- that's a dance that sounds like the blues. The songs tell some interesting stories! They are sequential, so listen to them in the left column, then the right. I understand that there are more field recordings of Robin as an older man.

I would love to hear them! Et le nom du two-step est: Alors, il n-a une grosse leve ce qui suit tout le long du Courtableau pour une protection d'eau. Et la d' chaque bord de la leve il n-ya du monde qui reste la, tout le long Et puis j'ai entendu dire comme il n-avait un tas de jolies filles au temps du Alors moi j' sus un homme curieux, j'ai ete J' voulais, c'est la tentation, j' voulais v oir tous ces jolies filles au Courtableau.

Alors, allons voir comment ca, ca va s' tourner avec les jolies filles de Courtableau et puis moi. Le piment dessus l'plancher M'a fait plonger dans le Courtableau Oh, ae ya yaille! Le piment dessus l'plancher M'a fait plonger dans le Courtableau. Madame Toto, c'etait une veuve. Et puis elle restait a la Pointe Claire, au ras d'une cypriere.

Et pis elle avait des belles filles. Alors moi, j'ai pas ete dompte avec les filles de Courtableau quand j'ai ete pimente ; ca m'a pas dompte, ca. J'avais une tentation, la curiosite, j' voulais aller voir les filles a Madame Toto ; ca fait, j'alle jouer cette danse-ca, on va voir comment ca va tourner avec moi pis les filles a Madame Toto. J'ai ete la-bas a la Pointe Claire Sur mon traneau et mon 'tit mulet J'ai ete la-bas chez Madame Toto Quand elle restait dessus l'coteau La-bas, au ras d'une cypriere He, he!

J'ai ete la-bas chez Madame Toto J'ai ete la-bas a la cypriere Pour traper des ecrevisses Pour faire bouillir dedans l'chaudiere Pour manger avec les belles filles a Madame Toto He, he! Et le nom de la valse est: J' vas raconter quoi i-n-a eu. Alors, j'ai ete fureter chez Madame Toto. A la tentation qu' ses belles filles, alors j' m'ai fait mettre dans la prison. Et puis j' suis bien planta a c' t' heure.

C'est ca la valse que j' vas jouer, "J'apres brailler parmi les etrangers". Me voir aujourd'hui si loin de la maison Oh! J'ai passe dans la prison Parmi les etrangers Y'a pas personne qui vient m' voir He! J' sus assis dans la prison Moi je reste a veiller Oh, Maman, s'il vous plait Viens me chercher Pour m' ramener dans la maison Oh, yaille!

Et le nom du slow drag est: C'tait une 'tite belle j'avais, tu sais, que j' l'aimais et j'ai tout l' temps demande pour elle soit honnete avec moi. OK, alors voil, on va la jouer, la. Sois t honnete avec moi, chere N'importe eyou tu vas aller N'importe quoi tu vas faire, chere, Sois t honnete avec moi Si jamais tu tombes en amour, chere, Si jamais tu l' aimes un aut' que moi Fais pas moi des miseres, chere, Sois t honnete avec moi.

Si jamais tu te laisses embrasser, chere, Si jamais tu te laisses caresser Tu viens a cote de moi Et sois t honnete avec moi Sois t honnete avec moi, chere, Viens a cote de moi Tu me dis quoi t'as fait Moi, j' vas te pardonner, chere, Sois t honnete avec moi. Allons v oir quoi c'est ca veut dire, c't'affaire du gare-soleil et patates. J'avais une 'tite femme, elle etait paresseuse, elle voulait pas faire rien.

Elle voulait pas laver la vaisselle, pas balayer, quoi faire? Pas rien a rien, juste a elle faisait, c'etait, euh, peinturer ses ongles de doigts, les shine et puis shine ses ongles d'orteils. Alors, j'ai commence jongler quoi j' voulais pus faire avec cette 'tite femme. Alors, allons v oir quoi c'est j'ai fait avec cette 'tite femme. Oh, ma chere 'tite belle, eh catin Quoi c'est toi t'apres faire?

T'apres preparer, he, he! Tes chers 'tits ongles de doigts, ha, ha! Oh, ma chere 'tite belle, eh catin Va mettre ton gare-soleil Et viens casser tes chers 'tits ongles de doigts A m'aider fouiller patates dans l' clos, ha, ha! J'ai marie une 'tite femme, elle tait maline.

Elle m'a fait accroire elle m'aimait, elle aurait fait n'importe quoi pour moi. Et pis, quand j' tournais mon dos, elle m' jouait des vilains, vilains tours ; ca fait, allons v oir comment ca va sortir, ca. C'est ma chere 'tite belle Qui m'a toujours dit Que c'est moi le seul qu'elle aimait Que c'est moi le seul, elle, qui voulait C'est ma chere 'tite belle Qui m'a tout l' temps d'mande Faut j' crois tout l' temps dans elle Et faut j' me fie tout l' temps a elle.

Un jour, je l'ai laissee toute seule a la maison Pour aller a l'ouvrage Quand j'ai arrive un bord de la maison J'ai tourne ma tete Et moi j'ai vu l'homme a glace Apres rentrer dedans ma maison Mais ca, c'est all right, chere, ca, c'est all right.

Moi j'ai gohead a mon ouvrage Quoi quoi j' sus r'venu faire? Ma chere 'tite belle a galope M'a tape dans l' cou C'tait "cher icite" et "cher la-bas" Quand elle m'a lache de observer Elle avait une belle bague dans l' doigt Un beau wristwatch dans le bras Elle avait une belle rosette en haut la tete Oh, ya yaille!

Et moi j'avais pas l'argent Ou l' donc l'espoir Mais c'est all right, chere, ca, c'est all right. J'ai ete au Bayou Benoit, i-n'avait un bal, la, j'tais tout l' temps apres fourrer mon nez la ou j'ai pas d'affaire. J'ai ete faire un tour pour v oir des Comment ca s' fait Que moi j' sus comme ca?

La yoo j' vas, moi j' peux pas J' peux pas me faire l'aimer La you j' vas J' sus tout l' temps repousse J'ai et la-bas Au bal au Bayou Benoit J'ai rencontre les cheres p'tites filles De Bayou Benoit I ls sont vaillants I ls sont jolies Mais elles sont mariees J'ai retourne a la maison Apres brailler. Allons v oir quoi c'est Carmelite a fait avec moi.

Oh, Carmelite, Quoi c'est toi t'as fait? Tu m'as fait des accroires Et tu m'as fait des promesses Oh, Carmelite, Quoi c'est moi j'ai fait? J' t'ai donne l'alliance Et la tu m'as bluffe. T'apres t'en aller, Abandonne pour toujours. Mais j'ai peur j' crois pas trouver parce que j'ai pas d'argent ; ca fait, allons v oir comment ca va tourner, ca.

J' voudrais m' marier J' voudrais m' marier J' voudrais m' marier Mais la belle veut pas J' voudrais m' marier J' voudrais m' marier J' voudrais m' marier Mais la belle veut pas Hey! Aujourd'hui, j' voudrais m' marier La belle veut J' voudrais m' marier Mais les vieux veut pas Oh, yaille!

J' voudrais m' marier La belle veut J' voudrais m' marier Mais les vieux veut pas Hey! Aujourd'hui, j' voudrais m' marier La belle veut Les vieux veut mais j'ai plus d'argent Oh, Lord! J'ai plus d'argent pis les poules pond pas J'ai plus d'argent pis les poules pond pas Hey, oh!

Revon Reed recorded these in Mamou in the early to mid s. Apologies for the poor sound quality. You may need to crank up your volume a bit. Impressive cast of characters! Thanks to Richard Deshotels and Dowell Lafleur for their information!

Quand moi j'tais petit J'braillais pour une patate A c't'heure moi j'suis grand Moi j'braille pour ma bouteille Oh! Quand j'm'en vas, cher Moi j'm'en vas z'un grand vaurien Dans les manches, jolie fille Oh! Avec z'un grand chagrin. Live recordings from the collection of Jack Bond. Many thanks to Ron, Jack, and the Clements!

It is a pleasure to be able to share with you this music! You will hear three of their records from the s: Hard to find material! Then you will hear some later recordings done in a more relaxed, non-studio atmosphere.

From Evangeline, Louisiana, this family has deep roots on the southwest prairies. Ancestors made their way to Louisiana from Marseille, France in the early s, settling in the Grand Coteau area of the old Attakapas country before moving on to present day environs near Jennings. On fiddle and accordion, their father Laurent played the Louisiana French folk music that became the basis of what we know these days as Cajun music, passing on to his sons his considerable knowledge and talents. The Clement Brothers band have been making wonderful Cajun music since the late s!

They were on the scene playing the same clubs in the same time period that so many of our "better known" heroes from the 50s dancehall circuit were active, such as Lawrence Walker, Austin Pitre, Iry LeJeune, Aldus Roger, etc. Their great friend and hero, Nathan Abshire, helped spark a revival of accordion music in the post-war years with a regular engagement at The Pinegrove Club, a dancehall situated just a short way down the road from the Clement home. In a recent interview Terry told me he was writing a lot of songs in those days.

He sang me a folk tune he learned from his father to which he made up some words about Holly Beach, the Cajuns' popular getaway along the Gulf Coast in Cameron parish. You may also like to know that Terry wrote and made the first recording of a little song that became a national hit called Diggy Liggy Lo!

Digital Transfers by Joe Kopacz. Thanks so much, Joe! Ray Abshire; fiddle and vocal: Andr Michot; upright bass: Special thanks to Ray Abshire for sharing his great music! These soundboard recordings are from his memorable performance at the Festivals Acadiens in Lafayette, Louisiana and from a September performance at the Liberty Theater. French Two Step and Valse a Rodney were featured here for a long time. Now we turn to two more: Announcer Barry Ancelet gives a moving introduction, recalling Ray's times in the s and 70s with the Balfa Brothers and the earliest days of the Cajun music renaissance when the Festivals Acadiens was only a one night Tribute to Cajun Music!

Creole Stomp, Lacassine Special, and the Cajuns' Waltz feature the modern dancehall lineup with steel guitar and drums. They are surely two of the best traditional Cajun music recordings to come out in recent years. Play That Thing, Yeah Jack! Cory McCauley; guitar and vocal: C'est tout la meme prix. Pointe aux Tigres and Evangeline Aces Special are original.

Lulu's back in town! For my taste, this CD is one of the best Cajun releases of recent years! Cory thought it was cool to put these songs here in the company of this "Hall of Fame" collection, and he invites you to contact him at evangelineaces hotmail.

Bien merci Cory et son gang! Bonne chance tout eusse. Of all the special performances and tributes over the years featured at Festivals Acadiens, this must rank among the sweetest!

Announcer Barry Ancelet remarks how Greely, from the Steve Riley and the Mamou Playboys band, is there facing down four guitarists from the Conner family accompanying him. Magnificent job by all! You will want the Varise Conner cd after hearing this! Thanks a lot to Robert and to sound engineer Jerry Devillier of the Liberty Theater for permission to share! Thanks to Jesse and to sound engineer Jerry Devillier of the Liberty Theater for permission to share.

Intense vocals, inspired song selections! One of the hardest working musicians currently in traditional Louisiana French music. And Bashoot LeBlanc was a neighbor of his who played Cajun music on the harmonica, something you don't hear so much of these days. Chris dedicates this song to him and throws in a great harmonica line. Nice groove for dancers! Thanks to the guys for permission to post these here! Bonne chance a tout eusse! Dobro guitar; Chris Miller: Contact information at www.

A very versatile Lake Charles musician, Ganey offers a fine accordion instrumental here dedicated to one of his mentors, August Broussard!

Sounds like Love Bridge Waltz played in two step time. August Broussard was quite adept at converting waltzes to two steps and vice versa. On this tune, through the magic of technology, Ganey replicates something he and August used to do, i. Nice tempo on this one! How Fido Died Description: One time he went on a trip.

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Swallow and La Louisianne Samples! You can now hear samples of great, hard to find material from Swallow and La Louisianne Records.

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